Book Descriptions
for Jazz Day by Roxane Orgill and Francis Vallejo
From Cooperative Children's Book Center (CCBC)
When Art Kane put out a call in 1958 for jazz musicians to gather in Harlem for a photograph, he had no idea what the response would be. Would anyone show up on the appointed day? One by one they did: singers and saxophone players, pianists and drummers, trumpet players and bassists. Dizzy and Duke, the Count and the Lion, Thelonious and Maxine and Mary Lou. Fifty-seven jazz musicians in all, from the well-known to newcomers to those known only on the local music scene. They came not to perform, but to laugh and talk and get in “Some Kind of Formation, Please!” Neighborhood children were there, too, sitting on the curb in front when Kane’s camera went “Click!” The famous black-and-white photograph he took is a magnificent fold-out feature of this work, which tells the story of that historic event through poems and paintings focusing on individuals, encounters, and the effervescent energy of it all. An introduction provides readers with a grounding, while an author’s note includes a numbered outline of the photo identifying the musicians. Brief biographies of each person, and ample resource material, round out this distinctive volume. (Age 10 and older)
CCBC Choices 2017. © Cooperative Children's Book Center, Univ. of Wisconsin - Madison, 2017. Used with permission.
From the Publisher
What happens when you invite as many jazz musicians as you can to pose for a photo in 1950s Harlem? Playful verse and glorious artwork capture an iconic moment for American jazz.
When Esquire magazine planned an issue to salute the American jazz scene in 1958, graphic designer Art Kane pitched a crazy idea: how about gathering a group of beloved jazz musicians and photographing them? He didn't own a good camera, didn't know if any musicians would show up, and insisted on setting up the shoot in front of a Harlem brownstone. Could he pull it off? In a captivating collection of poems, Roxane Orgill steps into the frame of Harlem 1958, bringing to life the musicians' mischief and quirks, their memorable style, and the vivacious atmosphere of a Harlem block full of kids on a hot summer's day. Francis Vallejo's vibrant, detailed, and wonderfully expressive paintings do loving justice to the larger-than-life quality of jazz musicians of the era. Includes bios of several of the fifty-seven musicians, an author's note, sources, a bibliography, and a foldout of Art Kane's famous photograph.
When Esquire magazine planned an issue to salute the American jazz scene in 1958, graphic designer Art Kane pitched a crazy idea: how about gathering a group of beloved jazz musicians and photographing them? He didn't own a good camera, didn't know if any musicians would show up, and insisted on setting up the shoot in front of a Harlem brownstone. Could he pull it off? In a captivating collection of poems, Roxane Orgill steps into the frame of Harlem 1958, bringing to life the musicians' mischief and quirks, their memorable style, and the vivacious atmosphere of a Harlem block full of kids on a hot summer's day. Francis Vallejo's vibrant, detailed, and wonderfully expressive paintings do loving justice to the larger-than-life quality of jazz musicians of the era. Includes bios of several of the fifty-seven musicians, an author's note, sources, a bibliography, and a foldout of Art Kane's famous photograph.
Publisher description retrieved from Google Books.